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American documentary photography including the Farm Security Administration
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EVANS, BOURKE-WHITE AND OTHERS
American documentary photography including the Farm Security Administration
Evans in Hound and Horn, Oct - Dec, 1931; Evans and Beals, Crime of Cuba, London: J. B. Lippincott Co. 1933; Evans and Kirstein, Walker Evans, New York: The Museum of Modern Art, 1938; Evans and Agee, Let Us Now Praise Famous Men, Cambridge: Riverside Press, 1960; Szarkowski, Walker Evans, New York: The Museum of Modern Art, 1971; Evans and Agee, Many are Called, New York: Houghton Mifflin Co., 1974; Evans, Photographs for the Farm Security Administration 1935-1938, New York: Da Capo Press, 1975; Margaret Bourke-White, Portrait of Myself, London: Collins, 1964; Stryker and Wood, In this Proud Land, New YOrk, Galahad Books, 1973; and others (a lot)
American documentary photography including the Farm Security Administration
Evans in Hound and Horn, Oct - Dec, 1931; Evans and Beals, Crime of Cuba, London: J. B. Lippincott Co. 1933; Evans and Kirstein, Walker Evans, New York: The Museum of Modern Art, 1938; Evans and Agee, Let Us Now Praise Famous Men, Cambridge: Riverside Press, 1960; Szarkowski, Walker Evans, New York: The Museum of Modern Art, 1971; Evans and Agee, Many are Called, New York: Houghton Mifflin Co., 1974; Evans, Photographs for the Farm Security Administration 1935-1938, New York: Da Capo Press, 1975; Margaret Bourke-White, Portrait of Myself, London: Collins, 1964; Stryker and Wood, In this Proud Land, New YOrk, Galahad Books, 1973; and others (a lot)
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