Emil Nolde (1867-1956)

Kerzentänzerin

Details
Emil Nolde (1867-1956)
Kerzentänzerin
etching with aquatint, 1917, on wove paper, second (final) state, a fine impression, signed in pencil, one of only about fourteen impressions in this state (Urban also records six impressions in the first state), with margins, some skinned areas and discolouration in places at the reverse sheet edges, otherwise generally in very good condition
P. 10 3/8 x 8 5/8 (26.3 x 21.8cm.)
S. 14¾ x 13½ (37.4 x 34.1cm.)
Literature
G. Schiefler, C. Mosel and M. Urban, Emil Nolde, Das graphische Werk, Cologne, 1995, no. 195

Lot Essay

Nolde was profoundly stirred by the experience of the dance in which he looked for rapt and total surrender to all the most powerful bodily expressions. He was particularly interested in the Australian dancer Saharet whom he once saw and described as 'Wild and whirling in her turns, and her streaming black hair suggested some fantastic primeval creature' (quoted in W. Haftmann, Emil Nolde, New York, Candle Dancers, text for plate 12).

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