Jean-Michel Basquiat (1960-1988)
Jean-Michel Basquiat (1960-1988)

Untitled

Details
Jean-Michel Basquiat (1960-1988)
Untitled
signed and dated 'Jean-Michel Basquiat 1983' (on the reverse of the middle panel)
triptych--acrylic and oil paintstick on canvas
each panel: 96 x 24 in. (243.8 x 61 cm.)
overall: 96 x 75 in. (243.8 x 190.5 cm.)
Executed in 1983.
Provenance
Gagosian Gallery, Los Angeles
Tony Shafrazi Gallery, New York
Literature
R. Marshall, Jean-Michel Basquiat, New York 1992-1993, p. 34 (illustrated)
R. Marshall, E. Navarra, J.L. Pratt, Jean-Michel Basquiat, Paris 1996, Vol. II, p. 82, no. 5 (illustrated)
R. Marshall, E. Navarra, J.L. Pratt, Jean Michel Basquiat, Paris 1996, Vol. II, p. 104, no. 3 (illustrated)
T. Shafrazi, Jean-Michel Basquiat, New York 1999, p. 188 (illustrated)
R. Marshall, E. Navarra, J.L. Pratt, Jean Michel Basquiat, Vol. II, Paris 2000, p. 166, no. 3 (illustrated)
Exhibited
Los Angeles, Gagosian Gallery, Jean-Michel Basquiat: New Paintings, March-April 1983 (illustrated)
New York, Whitney Museum of American Art; Houston, Menil Collection; Des Moines Art Center; and Alabama, Montgomery Museum of Fine Art, Jean-Michel Basquiat, October 1992-January 1994, p. 34 (illustrated)

Lot Essay

"When I went to the Trocadero it was disgusting. The Flea Market. The smell. I was alone. I wanted to get away. But I didn't leave. I stayed. I understood that it was very important: that something was happening to me. The masks weren't like any other pieces of sculpture. Not at all. There were magic things...The negro pieces were intercessors, mediators...But all the fetishes were used for the same things. They were weapons. To help people avoid coming under the influence of spirits...I inderstood why I was a painter. All alone in that awful museum, with masks, dolls by redskins, dusty mannequins. Les Demoiselles d'Avignon must have come to me that very day. Because it was my first exorcism painting." (Jean-Michel Basquiat in T. Shafrazi, Jean-Michel Basquiat, New York 1999, p. 11)

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