Details
LI YONG (678-747)

A 12TH/13TH CENTURY RUBBING OF THE YUHUI LIXIU BEI

Album of eleven double leaves, ink rubbed on paper
Each Leaf measures [ ]
Seventy-seven seals, including three of Mo Shilong (died 1587), six of Bi Long (late 18th - early 19th century), three of Fa Shishan (1753-1813), six of Pan Yanling (19th century), eight of Luo Tian (1805 - after 1856), and two or more of each of Liang Zhangju (1775-1849), Sun Erzhun (1770-1832), Wu Rongguang (1773-1843), Wang Wenzhi (1730-1802), Wang Xin'nong, Pan Shicheng (19th century), Weng Tonghe (1830-1904)
Colophons include those by Mo Shilong, Dong Qichang (1555-1636), Ma Zhijun, Lu Menglong, Qian Daxin (1728-1804), Sun Erzhun, Wu Rongguang, Liang Zhangju, Yao Yuanzhi (1773-1852), Bi Long, Qi Ying, Wu Xunqing, Bei Yong, Weng Tonghe, Song Qiyuan
Titleslip by Wang Wenzhi

Lot Essay

(US$19,400-28,400)

Note:
The original Tang stele of Li Yong's calligraphy, the Yunhui Lixiu Bei was lost a long time ago. Only two stone foundations still exist. There are only two rubbings of this stele with the full original text. One was in Li Zhonghan's collection and now in the Museum of History, Beijing. The other is now in the Guangzhou Museum, previously belonging to Kong Guangtao. This album is a Song (11th-12th century) rubbing of a Tang stone, containing five hundred and eight-three characters. From the Ming dynasty onwards until the Tongzhi era in the Qing dynasty, this album was kept together with the album subsequently in Kong Guangtao's collection. The two albums have identical collectors' seals and colophons. It was Kong Guangtao who separated these two albums. Writing of this in the other album, Kong comments that knowing the two albums were kept together from the mid-Ming until his time, his splitting the two up would cause sneers from later generations. However, he maintains that he is unable to keep both, "having one is more than enough."

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