A LOUIS XVI BRASS-MOUNTED MAHOGANY CONSOLE DESSERTE
A LOUIS XVI BRASS-MOUNTED MAHOGANY CONSOLE DESSERTE

IN THE MANNER OF ADAM WEISWEILER, CIRCA 1785

Details
A LOUIS XVI BRASS-MOUNTED MAHOGANY CONSOLE DESSERTE
In the manner of Adam Weisweiler, circa 1785
The eared rectangular white and grey-veined marble top, over two panelled frieze drawers, on reeded tapering supports joined by an undertier of white marble and with a pierced brass gallery to three sides, on tapering fluted legs and sabots, the pulls later, with a white 19th Century label inscribed Salon Luis?/entre les deux fenêtres/face à la porte, and another indecipherable label
35in. (89cm.) high, 51½in. (131cm.) wide, 15in. (38.5cm.) deep
Provenance
The estate of Dr. N.G. Meltzer, New York.

Lot Essay

With its characteristic use of well-figured mahogany, restrained Grecian mounts and milles-raies panels, this console desserte relates to the oeuvre of Adam Weisweiler. A console desserte of related form is illustrated in P. Lemonnier, Weisweiler, Paris, 1983, p.77, whilst identical milled ormolu bands are also to be found on a meuble d'appui illustrated on p.102; similarly the unusual tapering profile of the baluster legs is shared with Daguerre's stands for porcelain-mounted secrétaires en cabinet, such as that illustrated on p.109.

It is interesting to note that much of Weisweiler's oeuvre in this restrained Neo-classical vein was executed for the English market through the intervention of the celebrated marchand-mercier Dominique Daguerre. Established in the rue St. Honoré, in the late 1780's Daguerre opened up his own shop in Piccadilly, London to supply George, Prince of Wales and his circle directly.

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