PHILIP GUSTON (1913-1980)
PHILIP GUSTON (1913-1980)

The Actors VI

Details
PHILIP GUSTON (1913-1980)
The Actors VI
signed 'Philip Guston' (lower left); signed again, titled, dated and inscribed 'PHILIP GUSTON "THE ACTORS VI" 1962 TO LOU & RUTH BERNSTEIN' (on the cardboard backing)
oil on board mounted on panel
29½ x 39½ in. (74.9 x 100.3 cm.)
Painted in 1962
Provenance
Acquired from the artist by the present owner.
Exhibited
Santa Barbara Museum of Art, Philip Guston, February-March 1967.
New York, The American Federation of Arts, American Masters-Art Students League, October 1967-October 1968.

Lot Essay

In 1962 the Guggenheim Museum mounted a major retrospective of Guston's work. At this time, Guston's abstract paintings had achieved a new resolution between figure and ground through a dramatic separation of the two. Turning away from the delicate synthesis that he had sought in his previous works, Guston focused instead on the blocky shapes that came to dominate his compositions and the monochromatic space between them. This development in his compositions resulted from a simplification in working methods, which he described to Harold Rosenberg as follows:

"I use white and black pigment; white pigment is used to erase the black I don't want and becomes grey. Working with these restricted means as I do now, other things open up which are unpredictable, such as atmosphere, light, illusion--elements which do seem relevant to the image but have nothing to do with color" (quoted in H. Rosenberg, "Philip Guston's Object: A Dialogue with Harold Rosenberg," Philip Guston: Recent Paintings and Drawings, New York, 1966, pp. 42-43).

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