Lot Essay
The present work is derived from van Dyck's three-quarter-length depiction of Paris in the Wallace Collection, London. As Hedley notes (op. cit., pp. 100-102), this famous painting has been seen erroneously as a portrait of the artist and was disseminated as such through an 1807 engraving after it by Luigi Schiavonetti. In the present picture, which is reduced to bust-length, the subject has been transformed from Paris to Saint John the Baptist, with the latter's animal pelt and staff replacing the silken drapery and shepherd's crook of the Greek hero.
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