AN ATTIC RED-FIGURED PELIKE
AN ATTIC RED-FIGURED PELIKE

ATTRIBUTED TO THE GERAS PAINTER, CIRCA 480-470 B.C.

Details
AN ATTIC RED-FIGURED PELIKE
Attributed to the Geras Painter, Circa 480-470 B.C.
The obverse with Zeus pursuing Aegina, the god clad in a short chiton and high boots, holding a scepter with a voluted finial originally in added color in his right hand, his left extended towards Aegina who walks to the right but looks back towards Zeus, wearing a long chiton, a himation and a sakkos, holding her hem in her right hand and the stem of a palmette in her left, both figures identified by inscriptions in added red (now mostly lost); the other side with a warrior pursuing a maiden, the warrior (his head missing) wearing a short chiton, a cuirass ornamented with a star and a crested helmet (only the crest preserved), a spear in his right hand, the maiden walking to the right but looking back, wearing a chiton and a sakkos, holding her hem in her right hand; with a band of meander with crossed-squares below, a band of angled palmettes above, palmettes sprouting from a tendril below the handles, and graffiti on the underside of the foot
14 9/16 in. (37 cm) high
Provenance
Asian Collection, purchased between 1968-1972

Lot Essay

Wolsky in Passionate Acts in Greek Art and Myth, p. 22, informs that "Zeus fell in love with Aegina, the beautiful daughter of a river-god, and carried her off to the island of Oinone in the Saronic Gulf between Attica and the Peloponnesos. Informed of the abduction, her father, Asopos, gave chase and was punished by Zeus for his interference with a few well-aimed thunderbolts. On the island, Aegina, in due course, gave birth to a son, Aiakos, who became the king of Oinone. When Zeus's wife, the goddess Hera, outraged once again by her husband's infidelity, caused the death of Aegina, Aiakos renamed the island Aegina, in his mother's honor. Aiakos's contribution to Greek myth was to become the father of Peleus and the grandfather of Achilles."

The identification of the woman on side A as Aegina is usually the result of a process of elimination. Here, however, and perhaps uniquely, she is positively identified by the accompanying inscription.

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