AN IRON FLOWER VASE WITH APPLIED DECORATION
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AN IRON FLOWER VASE WITH APPLIED DECORATION

SIGNED MASATOSHI AND MUSASHIYA, MID-MEIJI PERIOD (CIRCA 1880-90)

Details
AN IRON FLOWER VASE WITH APPLIED DECORATION
Signed Masatoshi and Musashiya, Mid-Meiji Period (Circa 1880-90)
With splayed hexagonal neck and flattened spherical body rising from a vertical foot-ring, the foot-ring decorated in gold overlay with formal floral ornament, the body with a dragon applied in bold high relief of gold and silver, with clouds and waves cast in the iron, the neck with two bands of delicate overlay of paulownia leaves and ho-o birds in two different textures of gold, separated by a cast and chiselled partially openwork band of chrysanthemums, the top edge also finished in gold overlay, signed on the body on an applied gold plaque in the shape of a hanging lantern Ittosai Masatoshi kore o tsukuru [Ittosai Masatoshi made this] and with a gold wire mark on the base Musashiya and a gold pot-seal Ozeki sei [made by Ozeki]
11¾in. (29.8cm.) high
Special notice
VAT rate of 5% is payable on hammer price plus buyer's premium.

Lot Essay

The Musashiya company, operated by Ozeki Yahei and his son Sadajiro, were perhaps the most successful of the concerns selling high-quality decorative art during the Meiji era. Originally a dealer in pipes, Ozeki Yahei set up the Yokohama branch at 66 Main Street, probably under the management of his son Ozeki Sadajiro, soon after the port was opened in 1859. In 1877, both father and son exhibited commissioned pieces under their separate names in the first Naikoku Kangyo Hakurankai [National Industrial Exposition]. By 1880, the company is recorded as employing twenty-four people and dealing in enamels, bronzes, ivory, crystal, carvings, pins, fans, hardstones, tortoiseshell, lacquer, and a variety of ceramics.1 For other examples of collaborations between Musashiya and Kaneyasu Masatoshi, see Oliver Impey and Malcolm Fairley (eds.), Meiji no Takara: Treasures of Imperial Japan (The Nasser D.Khalili Collection of Japanese Art, London, Kibo Foundation, 1995), volume 2, part 1 (Metalwork), cat. nos. 52 and 53.

1 Joe Earle, Splendors of Meiji: Treasures of Imperial Japan, Masterpieces from the Khalili Collection (St. Petersburg, Florida, Broughton International Publications, 1999), p. 94

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