A PAIR OF BRONZE GROUPS DEPICTING THE ABDUCTION OF PROSERPINA AND THE RAPE OF A SABINE WOMAN
No VAT will be charged on the hammer price, but VA… Read more THE PROPERTY OF A GENTLEMAN 
A PAIR OF BRONZE GROUPS DEPICTING THE ABDUCTION OF PROSERPINA AND THE RAPE OF A SABINE WOMAN

AFTER FRANCOIS GIRARDON AND GIAMBOLOGNA, FRENCH, EARLY 18TH CENTURY

Details
A PAIR OF BRONZE GROUPS DEPICTING THE ABDUCTION OF PROSERPINA AND THE RAPE OF A SABINE WOMAN
After Francois Girardon and Giambologna, French, Early 18th Century
Each group with an integrally cast, naturalistic base and set on an ormolu-mounted and ebony-veneered bases, inlaid with brass, tortoiseshell Boulle marquetry decoration.
Each with a green-brown patina with some lighter high points; minor damages, restorations and associated elements to the pedestals.
24 and 25 in. (61 and 63.5 cm. ) high, the figures
33 and 34 in. (83 and 85.5 cm. ) high, overall (2)
Provenance
Les Comtes de Montgermont, and by descent.
Literature
COMPARATIVE LITERATURE:
C. Avery, Giambologna - The Complete Sculpture, Oxford, 1987, pp. 109-114, 254, figs. 104-107.
F. Souchal, French Sculptors of the 17th and 18th centuries - The reign of Louis XIV, II, Oxford, 1981, no. 42, pp. 41-43, and the supplement, London, 1993, IV, no. 42, pp. 102-104.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.
Sale room notice
Please note the additional provenance for these bronzes:
The Comtes de Montgermont, and by descent.

Lot Essay

These bronze groups, each representing a complex multi-figure composition, are derived from different sources but have been put together to create a new, and highly decorative, pair. The Abduction of Proserpina by Girardon was originally conceived as a marble as part of a commission of four marble groups by different artists for the first Parterre d'Eau at Versailles (Souchal, 1981, op. cit., p. 42). The Girardon group is dated 1699. The Rape of a Sabine Woman is considered to be Giambologna's greatest achievement in marble. It was commissioned and unveiled in the Loggia dei Lanzi, Florence, on 14 January, 1583 (Avery, op. cit., p. 109).

This pair of bronzes obviously post-dates the Girardon marble of 1699, and in terms of its facture is datable to the early years of the 18th century. A number of examples of this pairing, of differing heights, are listed in various sale catalogues of the 18th and 19th centuries (for precise dates see Souchal, 1993, op. cit., p. 104).

A similar pair of bronzes after Giambologna and Gaspar Marsy, was sold at Sotheby's, London, lot 75, £223,500.

More from Important European Furniture & Sculpture

View All
View All