A pair of Nymphenburg white putti in disguise
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A pair of Nymphenburg white putti in disguise

CIRCA 1755, ONE WITH IMPRESSED SHIELD MARK TO TREE-STUMP AND INCISED V · E (?) TO UNDERSIDE

Details
A pair of Nymphenburg white putti in disguise
Circa 1755, one with impressed shield mark to tree-stump and incised V · E (?) to underside
Modelled by Franz Anton Bustelli, the first as Mercury with a winged hat and winged ankles, playing a flute and seated naked on a tree-stump with a caduceus nearby, the second as Vulcan or Cupid, scantily clad in an apron and standing with his knee resting on a tree-stump forging an arrow on an anvil, a hammer and a horseshoe nearby, each on scroll-moulded shallow mound bases (Mercury with chipping to little fingers, minute chipping to one wing and part of flute lacking, Vulcan with part of arrow lacking and chipping to one tip of anvil)
4 1/8 in. (10.5 cm.) and 4½ in. (11.3 cm.) high (2)
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

For a similar illustrated example of Mercury in the Kommerzienrat Bäuml, Nymphenburg, see Friedrich H. Hofmann, Geschichte der Porzellan-Manufaktur Nymphenburg (Leipzig 1921), p. 108, pl. 104, and p. 105, pl. 101 for a similar model of Vulcan in the Bayerisches Nationalmuseum, Münich.

These are from the 'Ovidian Gods' series of circa 1755, probably the earliest of Bustelli's models. See Rainer Rückert, Bustelli (Munich 1963). For a similar illustrated example of Mercury in the Kommerzienrat Bäuml, Nymphenburg, see Friedrich H. Hofmann, Geschichte der Porzellan-Manufaktur Nymphenburg (Leipzig 1921), p. 108, pl. 104, and p. 105, pl. 101 for a similar model of Vulcan or Cupid in the Bayerisches Nationalmuseum, Münich.

Although Mercury was the messenger of the Gods and typically personified Eloquence and Reason, the pipe he is playing probably alludes to the myth of him being sent by Jupiter to kill the hundred-eyed giant who was guarding Jupiter's love, Io, who had been turned into a cow by his wife Juno. Mercury used the pipe to lull the giant to sleep before dutifully killing him. It is difficult to be certain if the other figure depicts Vulcan, the god of fire and blacksmith of weapons for the gods and heroes, or if it depicts Cupid fashioning his own arrows of love. The former is more probable.

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