.jpg?w=1)
Details
John Piper
Clamency, Burgundy (L.217)
etching printed with tone, 1972, on T H Saunders, signed and inscribed Artist's proof in pencil, one of fifteen proofs, aside from the edition of 50, (there were also a further six hand-coloured prints), published by the Pallas Gallery, deckle-edge to the left, with full margins, two short tears to the left sheet edge, handling marks and soft creasing in the margins, otherwise in general good condition
P. 690 x 557mm., S. 835 x 660mm.; and Rheims Cathedral (L. 219), aquatint, signed and inscribed A/P in pencil, with full margins
P. 686 x 538mm., S. 840 x 661mm.; and Eglise de Vernon, Normandy (L. 220), aquatint, signed an inscribed Artist's proof in pencil, with full margins
P. 690 x 540mm., S. 840 x 650mm. (3)
Clamency, Burgundy (L.217)
etching printed with tone, 1972, on T H Saunders, signed and inscribed Artist's proof in pencil, one of fifteen proofs, aside from the edition of 50, (there were also a further six hand-coloured prints), published by the Pallas Gallery, deckle-edge to the left, with full margins, two short tears to the left sheet edge, handling marks and soft creasing in the margins, otherwise in general good condition
P. 690 x 557mm., S. 835 x 660mm.; and Rheims Cathedral (L. 219), aquatint, signed and inscribed A/P in pencil, with full margins
P. 686 x 538mm., S. 840 x 661mm.; and Eglise de Vernon, Normandy (L. 220), aquatint, signed an inscribed Artist's proof in pencil, with full margins
P. 690 x 540mm., S. 840 x 650mm. (3)
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.
This lot is subject to Collection and Storage Charges.