THE PROPERTY OF A GENTLEMAN 
WARNER VARNHAM (FL. 1837-1843)

Details
WARNER VARNHAM (FL. 1837-1843)

"On the Green" - Praya Grande - Macao/38

signed with initials and dated 38 and in pencil October 21st, 1838 and annotated "Entrance to Nunnery", "Fransiscan Church", "Fransiscan Fort" and "Lantao Point", inscribed as title on separate sheet laid on mount
pencil, pen and ink and watercolour
7½ x 16¾in. (19 x 42.5cm)
Exhibited
Milton, Massachusetts, Museum of the American China Trade, Warner Varnham, 1973, no.1 ill. no.4.
Hong Kong Museum of Art, George Chinnery, His Pupils and Influence, 15 March - 14 April, 1985, no.60

Lot Essay

Very little is known about Warner Varnham. He is listed in the "List of Foreigners" in the Chinese Repository, but unfortunately no occupation is given alongside his name. It has been suggested that he worked as a tea taster in one of the newly established mercantile houses at Canton. Between the years 1837-1843, he sketched in Macao, Canton, Chusan Island and the Phillipines. An exhibition of the artist's work during this period was held at the Museum of the American China Trade, Milton, Massachusetts in 1973. His subjects, like that of his contemporary George Chinnery, are mostly everyday genre scenes. The question of his relationship with the more celebrated artist remains a mystery. He would have known him and does appear to have been influenced by him. Several of Varnham's drawings were adapted by Thomas Allom as illustrations for the Rev. G.N. Wright's China: Its Scenery, Architecture, Social Habits etc., 1843.
In 1843 Varnham went to England and settled at Bembridge on the Isle of Wight.

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