Lot Essay
A large number of similar bian hu are published. See Ancient Chinese Bronzes In The Collection of The Shanghai Museum, Hong Kong Museum of Art, 1983, Catalogue, pp. 122-123, no. 43; Shang-Zhou Qingtong Jiuqi Tezhan Tulu (Catalogue of the Special Exhibition of Shang and Zhou Dynasty Bronze Wine Vessels), Taiwan, 1989, p.211, pl.74; Ancient Chinese Arts in The Idemitsu Collection, Japan, 1989, pl. 186; William Watson, Ancient Chinese Bronzes, London, 1962, pl. 67b; and Jenny So, Eastern Zhou Ritual Bronzes from the Arthur M. Sackler Collections, vol. III, Washington D.C., 1995, p. 279 and 282, fig. 50.3
No other bian hu appears to be published with a cover. This suggests that the present example is either exceedingly rare or that the cover is in fact from another vessel, possibly a hu, perhaps unearthed at the same time, and mistakenly placed on this vessel. The method of decoration, with copper inlay, and the patination and encrustation, are consisitent with the body, however, the design of volutes is not
The bian hu was an innovation of the Eastern Zhou, apparently introduced sometime after 400 B.C. Their production continued into the Han Dynasty
No other bian hu appears to be published with a cover. This suggests that the present example is either exceedingly rare or that the cover is in fact from another vessel, possibly a hu, perhaps unearthed at the same time, and mistakenly placed on this vessel. The method of decoration, with copper inlay, and the patination and encrustation, are consisitent with the body, however, the design of volutes is not
The bian hu was an innovation of the Eastern Zhou, apparently introduced sometime after 400 B.C. Their production continued into the Han Dynasty