Jacopo Robusti, Il Tintoretto* (1518-1594)

Portrait of a Boy, said to be from the Mocenigo Family , bust length, wearing a gold embroidered black tunic and white ruff collar

細節

Jacopo Robusti, Il Tintoretto* (1518-1594)
Portrait of a Boy, said to be from the Mocenigo Family , bust length, wearing a gold embroidered black tunic and white ruff collar
oil on canvas
22½ x 20in. (57.2 x 50.7cm.)

來源

Thiem, San Remo.
with Paul Cassirer, Berlin.
with Knoedler's, New York, 1929.
with Robert Frank Ltd., New York, 1937.
with Knoedler's, New York, 1941.

出版

R. Pallucchini, Un capolavoro del Tintoretto: la Madonna del Doge Alvise Mocenigo, Arte Veneta, VIII, 1954, p. 235, fig. 250.
P. Rossi, Osservazioni sui ritratti di Jacopo Tintoretto e Una recente pubblicazione sul Tintoretto ed il problema della sua ritrattistica, Arte Veneta, XXIII, 1969, p. 269.
P. De Vecchi, L'Opera completa del Tintoretto, 1970, p. 138, no. F77 illustrated.
P. Rossi, Jacopo Tintoretto, 1975, p. 118, fig. 175 as datable to circa 1575.
The Frances and John L. Loeb Collection, 1982, no. 3.

展覽

Rochester, Memorial Art Gallery, The Arts of the Italian Renaissance, Jan. 1931, no. 13 (lent by Knoedler's).
Hartford, Wadsworth Atheneum, Forty-three Portraits, Jan. 26-Feb. 10, 1937, no. 13, illustrated, (lent by Knoedler's).
New York, Knoedler's, Italian Renaissance Portraits, March 18-April 6, 1940.
Columbus, Gallery of Fine Arts, Tenth Anniversary Exhibition, Jan. 14-Feb. 18, 1941, no. 2, illustrated (lent by Knoedler's).
Milwaukee, Art Institute, Six Centuries of Portrait Masterpieces, Oct. 2-Nov. 15, 1942, no. 49 (lent by Knoedler's).
Richmond, Virginia Museum of Fine Arts, Portraits, Panorama, Sept. 10-Oct. 12, 1947, no. 5 (lent by Knoedler's).
San Antonio, Witte Memorial Museum, Loan Exhibition of Paintings of XVI to XIX Centuries from M. Knoedler and Co., Oct.-Nov. 1949, no. 1. Baltimore, Museum of Art, Behold the Child, Nov.-Dec., 1950.
Paris, Musée des Arts Décoratifs, Chefs-d'Oeuvre de la Curiosité du Monde, June 10-Sept. 30, 1954, no. 49, pl. 5 (lent by Knoedler's).

拍品專文

The sitter appears in the guise of an angel in Doge Mocenigo and Family before the Madonna and Child, in the National Gallery, Washington D.C. Pallucchini (op. cit.) suggests that he is Giovanni Mocenigo's grandson and thus the Doge's great-nephew.