Lot Essay
exhibited this and other new designs in silver at the historic Exposition Internationale des Arts Décoratifs et Industriels Modernes of 1925. This design epitomizes Puiforcat's interest in pure geometric forms, and has been widely published as one of his masterpieces. See Francoise de Bonneville, Jean Puiforcat (Paris, 1986), pp. 112-115 and 125; and Victor Arwas. Art Deco (New York, 1980), p. 98.