Property of a PRIVATE COLLECTOR Pennsylvania
RENE MAGRITTE

細節
RENE MAGRITTE

Les barricades mystérieuses

signed bottom right Magritte--signed again, dated and titled on the reverse Magritte 1961 LES BARRICADES MYSTÉRIEUSES--oil on canvas
31¾ x 50 3/8 in. (80.7 x 128 cm.)

Painted in 1961
來源
Alexander Iolas, New York
L. Arnold Weissberger, New York
出版
H. Torczyner, Magritte, Ideas and Images, New York, 1977, p. 112, no. 180 (illustrated, p. 113)
展覽
Minneapolis, Walker Art Center, The Vision of René Magritte, Sept.-Oct., 1962, no. 88
London, Tate Gallery, Magritte, Feb.-May, 1969, no. 92
Hannover, Kestner-Gesellschaft, René Magritte, May-June, 1969,
p. 75, no. 68 (illustrated, p. 135). The exhibition traveled to Zurich, Kunsthaus, June-July, 1969.

拍品專文

Typical of Magritte's aesthetic approach to pictoral representation, Les barricades mysterieuses fuses a nocturnal landscape with a sun drenched cloud filled sky. Skeletons of trees become the veins of gigantic leaves set on the grounds of an estate where a mysterious woman rides a prancing horse. This fantastic juxtaposition of elements that do not ordinarily belong together create Magritte's unique style of magic realism. He discusses his ideas in a letter to André Bosmans:
What we can see that delights us in a painted image becomes
uninteresting if what we are shown through the image is encountered in reality, and the contrary too: what pleases us in reality; we are indifferent to in the image of this pleasing reality - if we
don't confuse real and surreal, and surreal with subreal. (Letter from René Magritte to André Bosmans July 1959 in H. Torcyner, Magritte Ideal and Images, New York, 1977, p. 109)