JEAN FRANOIS MILLET (French, 1814-1875)

Details
JEAN FRANOIS MILLET (French, 1814-1875)

Two Women Sewing

stamped with initials J. F. M. lower left--black and brown chalk over traces of pencil on laid paper
12 13/16 x 10in. (32.6 x 25.4cm.) unframed

Provenance
Studio of the Artist (1875)
J. Staats Forbes, London
With Leicester Galleries, London (1948)
Sir Kenneth Clark (by 1952)
Literature
L. Bénédite, The Drawings of Jean François Millet,
London, William Heineman, 1906 and Philadelphia, J.B. Lippincott,
1906, pl. no. 15
A.R. Murphy, Jean François Millet, Boston, Museum of Fine Arts,
1985, (exhibition catalogue), p. 73, included under Related Works for
no. 44 Women Sewing by lamplight (La Veillée)
Exhibited
London, Leicester Galleries, New Year Exhibition, 1948, no. 2
London, Arts Council Gallery, French Drawings from Fouquet to
Gauguin
, 1952, no. 109, incorrectly described as man and woman.
London, Arts Council of Great Britain, Drawings by Jean-François
Millet
, 1956, no. 20 as Study for "La Veillée"

Lot Essay

MIllet was the most committed painter-draftsman of the Realist
movement in France. His paintings, pastels, and finished drawings were all prepared with numerous compositional sketches and careful figure
or detail studies; and his often quirky outline drawings are well
known. Two Women Sewing by Lamplight is unusual in Millet's early oeuvre, however, as a drawing executed almost entirely
in tone, rather than with defining lines.

Two Women Sewing by Lamplight is a preparatory work for a
painting of an outdoor scene which used only a small oil lamp as a
source of light. As such it demonstrates Millet's careful attention to the problems of rendering three-dimensional forms in limited natural light. The drawing was used for both the boston painting Women
Sewing by Lamplight (La Veillée)
and a finished drawing of the
same subject in the Worcester Museum of Art, Worcester, Massachusetts, completed around 1853-54; and probably for a smaller
drawing as well, lost since 1938, which was in turn a stage in the
development of an etching of the same subject, in 1855-56.

We are grateful to Alexandra Murphy for her assistance in preparing
this catalogue entry.