The Property of The BALTIMORE MUSEUM OF ART,
with All Proceeds applied to Aquisitions Made
in the Name of the Original Donor
PIETRO VANNUCCI, IL PERUGINO (1445-1523) and Workshop
The Madonna and Child enthroned with Saints Sebastian, John the Baptist, Peter and Roch, a landscape beyond
細節
PIETRO VANNUCCI, IL PERUGINO (1445-1523) and Workshop
The Madonna and Child enthroned with Saints Sebastian, John the Baptist, Peter and Roch, a landscape beyond
oil on canvas--unframed
81 x 80½in. (205.5 x 204.5cm.)
The Madonna and Child enthroned with Saints Sebastian, John the Baptist, Peter and Roch, a landscape beyond
oil on canvas--unframed
81 x 80½in. (205.5 x 204.5cm.)
來源
Probably Cardinal of Lucca
Baron Blanc, French Ambassador to Rome
Edward Cheney, Badger Hall, Shropshire
with Galerie Sedelmeyer, Paris
Eugène Fischoff, Paris, until 1909
Mary Frick Jacobs, Baltimore, until 1938 when bequeathed to the Baltimore Museum of Art
Baron Blanc, French Ambassador to Rome
Edward Cheney, Badger Hall, Shropshire
with Galerie Sedelmeyer, Paris
Eugène Fischoff, Paris, until 1909
Mary Frick Jacobs, Baltimore, until 1938 when bequeathed to the Baltimore Museum of Art
出版
A. Venturi, Storia dell'Arte Italiana, 1913, pl. 251, as Perugino and workshop
W. Bombe, Perugino, 1914, p. 254, as not by Perugino
U. Gnoli, Pietro Perugino, 1923, p. 46, as Giannicola di Paolo
F. Canuti, Il Perugino, 1931, II, p. 353, as not by Perugino
B. Berenson, Italian Pictures of the Renaissance, 1932, p. 435, as Perugino and workshop
R. van Marle, The Development of the Italian Schools of Painting, 1933, p. 430, as Perugino and workshop
H.B. Jacobs, The Collection of Mary Frick Jacobs, 1938, no. 32
E. Camesasca, Tutta la pittura del Perugino, 1959, pp. 154-155, as School of Perugino
C. Castellaneta & E. Camesasca, Perugino, 1969, p. 120, as School of Perugino
K. Oberhuber, The Colonna Altarpiece in the Metropolitan Museum and Problems of the Early Style of Raphael, in Metropolitan Museum Journal, 12, 1978, p. 69, no. 40, as Perugino or his circle
A. Derbes in Italian Paintings XIV-XVIIIth Centuries from the collection of The Baltimore Museum of Art, ed. G. Rosenthal, 1981, no. A 3, as possibly a copy after a lost original by Perugino or his workshop or a painting by a follower of Perugino executed around the end of the 15th or beginning of the 16th century
P. Scarpellini, Perugino, 1984, no. 139, fig. 230, as Perugino and workshop
W. Bombe, Perugino, 1914, p. 254, as not by Perugino
U. Gnoli, Pietro Perugino, 1923, p. 46, as Giannicola di Paolo
F. Canuti, Il Perugino, 1931, II, p. 353, as not by Perugino
B. Berenson, Italian Pictures of the Renaissance, 1932, p. 435, as Perugino and workshop
R. van Marle, The Development of the Italian Schools of Painting, 1933, p. 430, as Perugino and workshop
H.B. Jacobs, The Collection of Mary Frick Jacobs, 1938, no. 32
E. Camesasca, Tutta la pittura del Perugino, 1959, pp. 154-155, as School of Perugino
C. Castellaneta & E. Camesasca, Perugino, 1969, p. 120, as School of Perugino
K. Oberhuber, The Colonna Altarpiece in the Metropolitan Museum and Problems of the Early Style of Raphael, in Metropolitan Museum Journal, 12, 1978, p. 69, no. 40, as Perugino or his circle
A. Derbes in Italian Paintings XIV-XVIIIth Centuries from the collection of The Baltimore Museum of Art, ed. G. Rosenthal, 1981, no. A 3, as possibly a copy after a lost original by Perugino or his workshop or a painting by a follower of Perugino executed around the end of the 15th or beginning of the 16th century
P. Scarpellini, Perugino, 1984, no. 139, fig. 230, as Perugino and workshop