Details
FRANK STELLA (b. 1936)
Sidi Ifni (Axsom 91)
offset lithograph in colors, 1973, on wove paper, signed and dated in pencil, numbered 28/90 (the total edition was 120 plus artist's proofs), published by Propyläen Verlag, with full margins, in excellent condition; Homage to Picasso (F. and C. 187), by ROBERT RAUSCHENBERG--screenprint in white and solvent transfer, 1973, on Arches, signed and dated in pencil, numbered 28/90 (the total edition was 120 plus 30 artist's proofs), with the USF blindstamps, the full sheet, in excellent condition; Still Life (M. 73), by ALEX KATZ--aquatint and drypoint, 1974, on wove paper, signed in pencil, numbered 21/62 (there were also 8 artist's proofs), co-published by Brooke Alexander and Marlborough Graphics, the full sheet, some pale scattered foxing and minor surface soiling showing mostly at the sheet edges; and Grape Leaves I (A. 94; G. 539) and Grape Leaves II (A. 95; G. 531), by ELLSWORTH KELLY--transfer lithographs, 1973-4, on Arches, signed in pencil, both numbered 49/50 (there were also 15 artist's proofs), with the Gemini G.E.L. blindstamps, with full margins, both with staining (5)
Sidi Ifni (Axsom 91)
offset lithograph in colors, 1973, on wove paper, signed and dated in pencil, numbered 28/90 (the total edition was 120 plus artist's proofs), published by Propyläen Verlag, with full margins, in excellent condition; Homage to Picasso (F. and C. 187), by ROBERT RAUSCHENBERG--screenprint in white and solvent transfer, 1973, on Arches, signed and dated in pencil, numbered 28/90 (the total edition was 120 plus 30 artist's proofs), with the USF blindstamps, the full sheet, in excellent condition; Still Life (M. 73), by ALEX KATZ--aquatint and drypoint, 1974, on wove paper, signed in pencil, numbered 21/62 (there were also 8 artist's proofs), co-published by Brooke Alexander and Marlborough Graphics, the full sheet, some pale scattered foxing and minor surface soiling showing mostly at the sheet edges; and Grape Leaves I (A. 94; G. 539) and Grape Leaves II (A. 95; G. 531), by ELLSWORTH KELLY--transfer lithographs, 1973-4, on Arches, signed in pencil, both numbered 49/50 (there were also 15 artist's proofs), with the Gemini G.E.L. blindstamps, with full margins, both with staining (5)