A FRENCH SILVER-GILT AND ENAMEL PILGRIM VASE

Details
A FRENCH SILVER-GILT AND ENAMEL PILGRIM VASE
ÿCIRCA 1891, STRUCK WITH IMPORT MARKS FOR LONDON, 1891, SPONSOR'S MARK OF EDWIN W. STREETER

In Moorish style, of rounded vase-shaped form on a spreading circular foot with elaborate stylized flower and interlace scrollwork on a matted ground, the body applied front and back with a circular silver cartouche with similar green enamel scroll decoration and set with turquoises, enclosed by a band of similar stylized flowers, the shoulders surmounted by similar openwork enamel scroll and flower decoration set with turquoises, the neck with similar enamel bands and with applied enamel joins supporting cascading chains,marked on base and cartouches--16in. (40.6cm.) high
(gross weight 44 oz.)

Lot Essay

Edwin W. Streeter is described by John Culme as "one of the London jewelry retail trade's more colorful characters". He began his career with Harry Emanuel and after setting up on his own account shortly after, he succeeded in taking over his former employer's business in 1873. He appears to have specialized in novelty jewelry and gem stones as well as ornamental silver, and his links with France go back to the 1870s, when one of his typically flamboyant advertisements announced "that he has secured the Exclusive Services of M. Emile Phillippe, the Eminent Artist of Paris (holding Gold Medal 1867, 1872 and the Vienna Gold Medal), And Has Now On View Specimen Works Of This Great Designer In Arabesque, Persian, and Renaissance Jewelry." Also perhaps of relevance to the present piece is the fact that A. Dumoret, jeweler of the Rue de la Paix, Paris, was reported in 1891 to have received the finishing touches to his business training at Streeter's firm. [The Directory of Gold and Silversmiths, Jewellers & Allied Traders,