Lot Essay
This is the last in a series of ten busts of his wife that Giacometti executed between 1962 and 1965. According to Valerie Fletcher:
This series constituted a change from his working methods of the
preceding decade, when he had customarily used his wife as a
model for paintings and drawings while basing most of his
sculpture busts on Diego.
The busts of Annette exemplify the artist's late style, which was more overtly expressionist. As in the last busts of Diego from
1965, the gaunt head strains forward, as if to channel its
energies into the hypnotic gaze. (V.J. Fletcher, Alberto
Giacometti 1901-1966, Washington, 1988, p. 230)
This series constituted a change from his working methods of the
preceding decade, when he had customarily used his wife as a
model for paintings and drawings while basing most of his
sculpture busts on Diego.
The busts of Annette exemplify the artist's late style, which was more overtly expressionist. As in the last busts of Diego from
1965, the gaunt head strains forward, as if to channel its
energies into the hypnotic gaze. (V.J. Fletcher, Alberto
Giacometti 1901-1966, Washington, 1988, p. 230)