Property of A DESCENDANT OF THE ORIGINAL OWNER
A FINE AMERICAN SILVER TANKARD, maker's mark of Samuel Tingley, New York, circa 1765, baluster form, the domed cover with cast thumbpiece and script monogram "CVR", the scroll handle with applied drop and a bifurcated terminal, the side engraved with a rococo cartouche enclosing a scene of a sportsman and dog confronting a deer with script monogram "JCG" and surmounted by a helm and deer's-head crest, on a cast molded circular foot, the front with spout circa 1800, marked ST and N.York on base--9in. (23 cm.) high, 45 oz.

Details
A FINE AMERICAN SILVER TANKARD, maker's mark of Samuel Tingley, New York, circa 1765, baluster form, the domed cover with cast thumbpiece and script monogram "CVR", the scroll handle with applied drop and a bifurcated terminal, the side engraved with a rococo cartouche enclosing a scene of a sportsman and dog confronting a deer with script monogram "JCG" and surmounted by a helm and deer's-head crest, on a cast molded circular foot, the front with spout circa 1800, marked ST and N.York on base--9in. (23 cm.) high, 45 oz.
Provenance
Cornelius Glen Van Rensselaer of Albany, New York, m. Catharine Bleecker
Visscher Van Rensselaer (d.c. 1915) m. Mary Augusta Miller
Cornelia Livingston Van Rensselaer (1879-1956) m. Theodore Strong, Sr. (1863-1928), New Jersey State Senator
Present owner

Lot Essay

The same engraved scene of a sportsman and dog confronting a deer with a deer's-head crest appears on another baluster tankard, by Jacob Gerittse Lansing of Albany, in the collection of the Metropolitan Museum of Art. A third piece of silver with the same engraving is a cann by Lansing in a private collection. Both Lansing pieces are illustrated in Norman S. Rice, Albany Silver, 1964, figs. 39 and 43, pp. 30-31. The scene is probably an early version of the arms of Van Rensselaer, which translates "deer's lair."

This tankard is one of a pair made by Samuel Tingley for the Van Rensselaer family. The mate to the present example is identical in every detail except that it appears to have had the scenic armorials replaced with the script monogram of Philip S. Van Rensselaer and the deer's-head crest replaced by the firebasket crest of Van Rensselaer, also used on silver in the 18th century. The matching Tingley tankard and a detail of its identical rococo cartouche are illustrated in Rice, op.cit., p.62.

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