拍品專文
The most similar published example, both in proportion and decoration, (particularly the raised band at the widest point, rather than the more normal recessed band), is illustrated in Wenwu 1992:11 , pp. 16-17, pl. 8, fig. 4 and dated Shang/Zhou dynasty
For other examples see Robert W. Bagley, Shang Ritual Bronzes in the Arthur M. Sackler Collections, 1987, nos. 75 and 76, pp. 422-426; Max Loehr, Ritual Vessels of Bronze Age China, New York, 1968, no. 92, pp. 100-101; the Catalogue of the Special Exhibition of Shang and Chou Dynasty Bronze Wine Vessels, National Palace Museum, Taipei, 1989, pl. 35, pp. 130-131; and Zhongguo meishu quanji; Gongyi meishu; qing tongqi (The Great Treasury of Chinese Fine Arts; Arts and Crafts; Bronzes), vol. 4, Beijing, 1986, p. 29, pl. 80
The majority of the published examples of the late Shang dynasty type of lei appear to be cast in a rather less advanced stage of decoration than the present example, supporting a possible early Western Zhou date for this lot
For other examples see Robert W. Bagley, Shang Ritual Bronzes in the Arthur M. Sackler Collections, 1987, nos. 75 and 76, pp. 422-426; Max Loehr, Ritual Vessels of Bronze Age China, New York, 1968, no. 92, pp. 100-101; the Catalogue of the Special Exhibition of Shang and Chou Dynasty Bronze Wine Vessels, National Palace Museum, Taipei, 1989, pl. 35, pp. 130-131; and Zhongguo meishu quanji; Gongyi meishu; qing tongqi (The Great Treasury of Chinese Fine Arts; Arts and Crafts; Bronzes), vol. 4, Beijing, 1986, p. 29, pl. 80
The majority of the published examples of the late Shang dynasty type of lei appear to be cast in a rather less advanced stage of decoration than the present example, supporting a possible early Western Zhou date for this lot