YAMASHIRO--RAI
A YAMASHIRO RAI TACHI

Details
A YAMASHIRO RAI TACHI
KAMAKURA PERIOD (CIRCA 1260-1280), WITH RED LACQUER SIGNATURE, KUNIYUKI

Configuration (sugata): with longitudinal ridge line (shinogi-zukuri), shallow peaked back (iori-mune) and medium point (chu-kissaki); length (nagasa): 2 shaku, 6 sun, 1 bu (79.0cm.); curvature (sori): strong koshi-zori of 2.8cm.; increase in width of blade (fumbari): 1.2cm.; carving (horimono): bo-hi on both sides extending deep into the tang, carbon inclusions exposed near the omote monouchi within the hi.
Forging pattern (jihada): fine wood grain (ko-itame).
Tempering pattern (hamon): small gonome mixed with clove-like patterns (choji) in nioi and small nie and with midare utsuri and kinsuji.
Point (boshi): small and rounded (ko-maru) flame-brushed tip (hakikake).
Tang (nakago). Shape (keitai): slender, tapering, probably unshortened (ubu) and somewhat corroded; file marks (yasurime): indistinct; end (nakagojiri): squared (kirijiri); holes (mekugi-ana): two; signature (mei): red lacquer (shu-mei), Kuniyuki on the outside and Honna (for Honnami) with kao on the inside.

Shirasaya.

Accompanied by a juyo token certificate issued by the N.B.T.H.K., dated Showa 45 (1970).
Literature
Juyo token to zufu, vol. 19.
One Hundred Masterpieces (1992), no. 25.

Lot Essay

Rai Kuniyuki was the founder of the Rai school, the third of the Yamashiro lines of swordmaking after the Awataguchi and that of Sanjo Munechika. Originating in the l3th century, the Rai school produced elegant blades of two distinct types, slender and wide, this tachi being an example of the latter. The typical Rai forging pattern was a tight itame. The most common hamon used by these smiths were choji or ko-midare, but almost always with nioi and ko-nie. Muneyaki or tempering along the back of the blade is another Rai characteristic, but because of the wide bo-hi and burnishing on the mune, it is difficult to ascertain its presence on this example.