A BIZEN OSAFUNE SO-DEN WAKIZASHI

细节
A BIZEN OSAFUNE SO-DEN WAKIZASHI
NAMBOKUCHO PERIOD (CIRCA 1360-1390), ATTRIBUTED TO KANENAGA

Configuration (sugata): with longitudinal ridge line (shinogi-zukuri), shallow peaked back (iori-mune) and medium point (chu-kissaki); length (nagasa): 1 shaku, 7 sun, 9 bu (54.1cm.); curvature (sori): koshi-zori of 1.4cm.; increase in width of blade (fumbari): 0.8cm.; carving (horimono): bo-hi on both sides extending through the tang.
Forging pattern (jihada): wood grain (itame) with some ji-nie.
Tempering pattern (hamon): an elaborate mixture of shallow swells (gonome) with clove-like patterns (choji) and scattered midare, highlighted with 'legs' (ashi), 'swept sands' (sunagashi), yo and scattered isolated patches of tempering (shimaba), all in nie and bright nioi.
Point (boshi): midare-komi with a flame-brushed tip (hakikake).
Tang (nakago). Shape (keitai): o-suriage; file marks (yasurime): slanted (katte-sagari); end (nakagojiri): squared (kirijiri); holes (mekugi-ana): one; signature (mei): unsigned (mumei).

Shirasaya.

Wakizashi-koshirae comprising: an undecorated black lacquer saya; a tsuka with a pair of gold Goto school menuki formed as tigers (18th century) and a Goto school shakudo nanako fuchi; a tsuba of iron mokko decorated in gold and silver nunome in Nagasaki style with dragons and Chinese characters (circa 1650); a shakudo nanako kozuka decorated in gold, silver and shakudo with laborers sliding a boulder along wooden rollers, signed Goto Etsujo (1642-1708, founder of the Rikei branchline of the Goto family) and inscribed with a poem on the back; and a solid gold seppa--length of koshirae 73.8cm.; length of tsuka 15.8cm.; tsuba height 6.5cm., width 6.2cm., thickness 9mm.; length of kozuka 9.6cm. Slight damage to the saya.

Wood storage box. Silk and brocade storage bags.

Accompanied by a juyo token certificate issued by the N.B.T.H.K., dated Showa 52 (1977); and a tokubetsu kicho koshirae certificate issued by the N.B.T.H.K., no number, dated 1957.
来源
Maeda family
出版
Juyo token to zufu, vol. 25.
One Hundred Masterpieces (1992), no. 22.

拍品专文

The majority of Kanenaga's dated works are from the period of approximately 1360-1390. This wakizashi displays typical tempering in the Soshu-Bizen tradition, employing profuse use of bright, active nie. Lord Maeda, in a letter accompanying the blade, attributes it to Aoe Tsuguyoshi, probably because of the active choji hamon and active ashi.