Details
JAMES ABBOTT McNEILL WHISTLER
Chelsea Wharf (K. 89)
etching, 1863, on laid Japan, second (final) state, signed and titled in pencil, with wide margins, very pale scattered foxing and mat staining, otherwise in very good condition, framed; The Forge (K. 68) -- drypoint, 1861, on laid paper, fourth (final) state, with margins, some pale foxing, very pale light-staining, taped down along the margin edges, sealed in the mat along the top margin edge, framed; and Firelight: Joseph Pennell (Way 104; Levy 152) -- lithograph, 1896, on Van Gelder, presumably from the edition published in Pennell's Lithography and Lithographers..., 1898, with full margins, the palest light-staining, a tiny stain and tear at the left margin edge, several soft creases showing mostly on the reverse (3)
Chelsea Wharf (K. 89)
etching, 1863, on laid Japan, second (final) state, signed and titled in pencil, with wide margins, very pale scattered foxing and mat staining, otherwise in very good condition, framed; The Forge (K. 68) -- drypoint, 1861, on laid paper, fourth (final) state, with margins, some pale foxing, very pale light-staining, taped down along the margin edges, sealed in the mat along the top margin edge, framed; and Firelight: Joseph Pennell (Way 104; Levy 152) -- lithograph, 1896, on Van Gelder, presumably from the edition published in Pennell's Lithography and Lithographers..., 1898, with full margins, the palest light-staining, a tiny stain and tear at the left margin edge, several soft creases showing mostly on the reverse (3)