細節
DOMENICO ROBUSTI, IL TINTORETTO* (1560-1635)
Prudence
oil on canvas
56¾ x 42in. (144.2 x 106.7cm.) including 2 inches added to the right edge
Prudence
oil on canvas
56¾ x 42in. (144.2 x 106.7cm.) including 2 inches added to the right edge
來源
L.C. Lewis
Anon. sale, Christie's, London, July 10, 1953, lot 114(unsold; sold after the sale for #420 to Bellesi)
with Luigi, Mario and Giuseppe Bellini, Florence from whom purchased by the museum in 1954
Anon. sale, Christie's, London, July 10, 1953, lot 114(unsold; sold after the sale for #420 to Bellesi)
with Luigi, Mario and Giuseppe Bellini, Florence from whom purchased by the museum in 1954
出版
Art Prices Current, 30, 1952-53, p. A157, no. 3865
New Acquisitions, Art Quarterly, 18, 1955 p. 86, illustrated
W.R. Valentiner and P. Wescher, The J. Paul Getty Museum Guidebook, 1956, p. 20, no. 18
P. Wescher, I Ritratti del Doge Girolamo Priuli di Jacopo Tintoretto, Arte Veneta, 11, 1957, pp. 205 and 207, n. 3
B. Berenson, Italian Pictures of the Renaissance: Venetian School, 1957, 1, p. 178
B. Fredericksen, Handbook of the Paintings in the J. Paul Getty Museum, 1965, p. 12, pl. 3
J.P. Getty, The Joys of Collecting, 1965, p. 31, illustrated p. 103 C. Bernari and P. de Vecchi, L'opera completa del Tintoretto, 1970, p. 134, no. E10, as attributed to Domenico Tintoretto
S. Béguin and P. de Vecchi, Tout l'oeuvre peint de Tintoret, 1971, p. 134, no. E10, as attributed to Domenico Tintoretto
B. Fredericksen, Catalogue of the Paintings in the J. Paul Getty Museum, 1972, pp. 38-39, no. 39
B. Fredericksen and F. Zeri, Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections, 1972, p. 200
R. Pallucchini and P. Rossi, Tintoretto, Le Opere Sacre e Profane, I, 1982, p. 240, under no. A9, p. 243, under no. A29, p. 247, no. A62; II, fig. 686
New Acquisitions, Art Quarterly, 18, 1955 p. 86, illustrated
W.R. Valentiner and P. Wescher, The J. Paul Getty Museum Guidebook, 1956, p. 20, no. 18
P. Wescher, I Ritratti del Doge Girolamo Priuli di Jacopo Tintoretto, Arte Veneta, 11, 1957, pp. 205 and 207, n. 3
B. Berenson, Italian Pictures of the Renaissance: Venetian School, 1957, 1, p. 178
B. Fredericksen, Handbook of the Paintings in the J. Paul Getty Museum, 1965, p. 12, pl. 3
J.P. Getty, The Joys of Collecting, 1965, p. 31, illustrated p. 103 C. Bernari and P. de Vecchi, L'opera completa del Tintoretto, 1970, p. 134, no. E10, as attributed to Domenico Tintoretto
S. Béguin and P. de Vecchi, Tout l'oeuvre peint de Tintoret, 1971, p. 134, no. E10, as attributed to Domenico Tintoretto
B. Fredericksen, Catalogue of the Paintings in the J. Paul Getty Museum, 1972, pp. 38-39, no. 39
B. Fredericksen and F. Zeri, Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections, 1972, p. 200
R. Pallucchini and P. Rossi, Tintoretto, Le Opere Sacre e Profane, I, 1982, p. 240, under no. A9, p. 243, under no. A29, p. 247, no. A62; II, fig. 686
展覽
Tulsa, Philbrook Art Center, Gloria dell'Arte, A Renaissance Perspective, Oc. 28-Jan. 27, 1979-80, no. 151