拍品專文
First exhibited in plaster at the Salon of 1885, the statuette of Diane Victorieuse was the artist's final triumph. Responding to public demand for table-top figurines, the ailing Carrier-Belleuse devoted himself to the conception of this model. His attention to lavish detail and to contrast of texture celebrated the huntress' sensuous femininity in a manner that also emphasized the fabled independance of the goddess.
Aware that Diane Victorieuse was to be the successful culmination to a long career, Carrier-Belleuse arranged before his death for the marble statuette to be exhibited alongside his earlier Bacchante (1863) in the Salon of 1887.
Aware that Diane Victorieuse was to be the successful culmination to a long career, Carrier-Belleuse arranged before his death for the marble statuette to be exhibited alongside his earlier Bacchante (1863) in the Salon of 1887.