KELMSCOTT PRESS. MORRIS, WILLIAM. Love is Enough, or, The Freeing of Pharamond. A Morality. (Hammersmith 1897 [issued 1898]). Large 4to, original limp vellum, spine gilt-lettered, silk ties, uncut, slight soiling, cloth slipcase. One of 300 copies of an edition of 308, printed in Troy type (stage directions in Chaucer type) in black and red, woodcut initial capitals in blue and black, woodcut frontispiece by W.H. Hooper after a design by Sir Edward Burne-Jones, facing page with full woodcut page-border, last page after colophon with another full-page woodcut by W.H. Hooper after Burne-Jones (designed in 1870 for a projected heavily illustrated edition of the book), the woodcut within a border of four pieces, numerous partial woodcut borders, 8-line and smaller initial capitals, without printer's device. Cockerell 52 ("This was the second book printed in three colours at the Kelmscott Press"); Peterson A52.

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KELMSCOTT PRESS. MORRIS, WILLIAM. Love is Enough, or, The Freeing of Pharamond. A Morality. (Hammersmith 1897 [issued 1898]). Large 4to, original limp vellum, spine gilt-lettered, silk ties, uncut, slight soiling, cloth slipcase. One of 300 copies of an edition of 308, printed in Troy type (stage directions in Chaucer type) in black and red, woodcut initial capitals in blue and black, woodcut frontispiece by W.H. Hooper after a design by Sir Edward Burne-Jones, facing page with full woodcut page-border, last page after colophon with another full-page woodcut by W.H. Hooper after Burne-Jones (designed in 1870 for a projected heavily illustrated edition of the book), the woodcut within a border of four pieces, numerous partial woodcut borders, 8-line and smaller initial capitals, without printer's device. Cockerell 52 ("This was the second book printed in three colours at the Kelmscott Press"); Peterson A52.