Details
GUILLAUME COURTOIS (circa 1628-1679)
La Resuréction du Lazare, after Jacopo Tintoretto (R.-D., I, 214, 3)
etching, circa 1660, on laid paper, watermark Three Mounds surmounted by a Fleur-de-Lys within a Circle, only state, a fine impression of this rare print, with tone, with small margins, central horizontal and vertical folds showing mostly on the reverse, other minor creases, a small loss in the top margin, an old ink notation at the bottom edge, a few minor stains; and NICHOLAS CHAPRON (1599-1650), Le Faune et sa Femelle (R.-D., VI, 231, 57)--etching, circa 1630, on laid paper, first state (of two), with thread margins or trimmed on the platemark, small losses at the top left and bottom right corners; and six others by or after A. CARACCI, C. VAN LOO, C. MELLAN, J. MORIN, TITIAN and others; sold as a collection of plates not subject to return (8)
La Resuréction du Lazare, after Jacopo Tintoretto (R.-D., I, 214, 3)
etching, circa 1660, on laid paper, watermark Three Mounds surmounted by a Fleur-de-Lys within a Circle, only state, a fine impression of this rare print, with tone, with small margins, central horizontal and vertical folds showing mostly on the reverse, other minor creases, a small loss in the top margin, an old ink notation at the bottom edge, a few minor stains; and NICHOLAS CHAPRON (1599-1650), Le Faune et sa Femelle (R.-D., VI, 231, 57)--etching, circa 1630, on laid paper, first state (of two), with thread margins or trimmed on the platemark, small losses at the top left and bottom right corners; and six others by or after A. CARACCI, C. VAN LOO, C. MELLAN, J. MORIN, TITIAN and others; sold as a collection of plates not subject to return (8)
Provenance
Courtois, Cabinet Brentano-Birckenstock (L. 345)