SATO KEY (1906-1978)

細節
SATO KEY (1906-1978)

History of space (black)

Signed lower right Key Sato, dated 65, signed on reverse Key Sato., dated 65., titled Carriere de L'espace (noir)--oil on canvas, framed
63 7/8 x 51¼in. (162.3 x 130.2cm.)
來源
Through the Museum of Modern Art, New York
出版
Lieberman, William S. and Dorothy C. Miller, The New Japanese Painting and Sculpture, (New York: The Museum of Modern Art and Doubleday & Co., Inc. 1966), p. 31
展覽
San Francisco, San Francisco Museum of Art, The New Japanese Painting and Sculpture, April-June 1965. This exhibition traveled to Denver, the Denver Art Museum, October-November 1965; Urbana, the Krannert Art Museum, December 1965-January 1966; Omaha, Joslyn Art Museum, February-March 1966; Columbus, the Columbus Gallery of Fine Arts, April-May 1966; New York, the Museum of Modern Art, October-December 1966; Baltimore, Baltimore Museum of Art, January-March 1967; Milwaukee, Milwaukee Art Center, April-May 1967; Bristol, Rhode Island, Bristol Art Museum, Contemporary Scupture and Paintings by Japanese Artists, July 1969.

拍品專文

Sato Key was born in Oita City in Oita Prefecture. He attended the Tokyo School of Fine Arts where he studied under Fujishima Takeji (1865-1943), the well-known western-style painter, and graduated in 1929. From 1930-34 he attended the Academie Colarossi in Paris. He returned to Japan in 1934 to co-found the Shin-Seisaku Kyokai artists' association. In 1952 Sato went back to Paris to make his home there.
He was greatly influenced by the cubist work of Picasso, which eventually led him to abstraction.

His many one-man exhibitions include those at the Sanmaido Gallery in Tokyo in 1934, the Tokyo Gallery in 1951 and 1954, the Galerie Mirador in Paris in 1954, and the Galerie Jacques Massol in 1959, 1960, 1961 and 1964, the Hamilton Galleries in London in 1964, and the World House Galleries in New York in 1965.

Among numerous group exhibitions are the Salon d'Automne in Paris in 1931-33, the Carnegie International Exhibitions in Pittsburgh in 1952 and 1964, the Salon de Mai in Paris 1956-59, and the 30th Venice Biennial in 1960. He was also represented in the Japanese Avant Garde Art Exhibition in Milan of 1963 and the Sao Paulo Biennial the same year.