KAWABATA MINORU (b. 1911)

Details
KAWABATA MINORU (b. 1911)

Dark oval

Signed lower left M Kawabata--oil on canvas, framed
63 7/8 x 51 3/8in. (162.2 x 130.5cm.)
Provenance
Museum of Modern Art, New York, through the Betty Parsons Gallery
Literature
Lieberman, William S. and Dorothy C. Miller, The New Japanese Painting and Sculpture (New York: The Museum of Modern Art and Doubleday & Co., Inc., 1966), pp. 20, 36
Everson Museum of Art, Kawabata (Syracuse, New York 1974), p. 15
Exhibited
San Francisco, San Francisco Museum of Art, The New Japanese Painting and Sculpture, April-June 1965. This exhibition traveled to Denver, the Denver Art Museum, October-November 1965; Urbana, the Krannert Art Museum, December 1965-January 1966; Omaha, Joslyn Art Museum, February-March 1966; Columbus, the Columbus Gallery of Fine Arts, April-May 1966; New York, the Museum of Modern Art, October-December 1966; Baltimore, Baltimore Museum of Art, January-March 1967; Milwaukee, Milwaukee Art Center, April-May 1967;
Syracuse, New York, Everson Art Museum, Kawabata, 1974.

Lot Essay

Kawabata Minoru, the son and grandson of artists, was born in Tokyo. His grandfather Kawabata Gyokusho (1842-1913) was a well-known painter of the traditional Japanese school.

Kawabata studied with Fujishima Takeji (1865-1943) who himself had been a pupil of Kawabata Gyokusho. He graduated from the Tokyo School of Fine Arts in 1934, spent several years traveling, and resumed his studies in France and Italy from 1937-39. His first one-man exhibition was held in Tokyo in 1940 at the Mitsukoshi Gallery and he won the Saburi Prize the same year. A professor at Tama University of Fine Arts in Tokyo from 1950-55, he was active in the creation of the Shin-Seisaku Kyokai (the New Creation Association), a professional artists' society that held annual exhibitions of its members' work.

Kawabata represented Japan in the Sao Paulo Biennial in Brazil in 1951 and in 1952 his work was shown in the International Art Exhibit of Japan. In 1958 he won the Guggenheim International Award in New York, and the Kamakura Prize in Tokyo. He moved to New York City the same year where he joined the painting faculty at the New School for Social Research, returning to Japan briefly in 1963-64. He exhibited in the Carnegie International shows in Pittsburgh in 1958 and 1961, and in 1959 he won the Sao Paulo Biennial Award. He represented Japan in the 1962 Venice Biennial. From 1960 until the 1980s he had numerous solo exhibitions at the Betty Parsons Gallery in New York.

One-man exhibitions of Kawabata's work were also held at the Everson Museum in Syracuse, New York in 1974, the Museum of Modern Art in Kamakura, Japan in 1975, the Tokyo Gallery in Japan in 1978, the Juda Rowan Gallery, London in 1983, and the Jack Tilton Gallery in New York 1983-85, 1988, and 1990.

Kawabata's work is in numerous museum collections including the Museum of Modern Art in Sao Paulo, Brazil, the Museum of Modern Art in Tokyo, the National Museum in Tokyo, and the Everson Museum in Syracuse, New York. He has exhibited widely in Japan, Europe, and the United States.