A BITCHU MIZUTA KATANA

細節
A BITCHU MIZUTA KATANA
MOMOYAMA PERIOD (FOURTH QUARTER 16TH CENTURY)

Sugata: with shinogi-zukuri, iori-mune and chu-kissaki; nagasa: 2 shaku, 1 sun, 8.3 bu (66.2 cm.); sori: torii-zori of 2.5 cm.; decrease in fumbari: 1.3 cm.; horimono: invocative kanji on both sides. Jihada: ko-mokume, almost muji hada. Hamon: medium suguba in nie and nioi with pronounced sunagashi, together with some scattered ji-nie. Boshi: hakikake. Nakago keitai: stubby, tanago and with a moist, brown patina; yasurime: sujikai; nakagojiri: ha-agari kuri-jiri; mekugi-ana: two; mei, mumei.

Uchigatana koshirae: roiro saya; black-wrapped tsuka with silver crane menuki and silvered nanako menuki; silvered aoigata tsuba, unsigned, diameter 8 cm. Silk brocade storage bag.
Accompanied by a Tokubetsu kicho ninteisho, no. 258889, dated Showa 47 (1972), issued by the N.B.T.H.K.

拍品專文

After the decline of the Bitchu Aoe, the Mizuta school arose during the second half of the 16th century. Called Ko-Mizuta, it was active until the end of that century and the principal smiths were Kunishige I and II and Tameie I. The Shinto Mizuta continued actively until the mid-18th century, began a slow decline, finally flickering out in the beginning years of Meiji. Its principal smiths were Kunishige III, IV, V, Kunishige Yamashiro Daijo I, II, III, Tameie II and III as well as the several generations of Otsuki and Asai Mizuta smiths.