A LOUIS XIII PARIS PASTORAL TAPESTRY

Details
A LOUIS XIII PARIS PASTORAL TAPESTRY
EARLY 17TH CENTURY, ATELIER MARC DE COMANS AND FRANÇOIS DE LA PLANCHE

FROM THE STORY OF AMINTA AND SYLVIA, DEPICTING SYLVIA IN THE PRESENCE OF DAPHNE, NERINE, TIRSIS, ERGASTE, ELPHIN AND OTHERS CHARMING THE UNCONSCIOUS AMINTA BACK TO LIFE WITHIN AN EXTENSIVE FORESTSCAPE WITH A MOUNTAINOUS VISTA IN THE DISTANCE, THE BORDERS WOVEN WITH SCROLLING FOLIATE CARTOUCHES ENCLOSING FLOWER-FILLED BASKETS AND ARMORIAL TROPHIES ALTERNATING WITH FRUIT-AND FLOWER-FILLED CORNUCOPIAE, THE LOWER RIGHT SELVEDGE WITH THE PARIS TOWN MARK AND A FLEUR-DE-LYS--10FT. 11IN. X 16FT. 9½IN. (3M. 33.5CM. X 5M. 13CM.)
Provenance
CARDINAL FRANCESCO BARBERINI
PALAZZO BARBERINI, ROME
CHARLES M. FFOULKE COLLECTION, WASHINGTON, D.C. (1889)
HAMILTON TWOMBLY
BARON GUY DE ROTHCHILD, HôTEL LAMBERT, PARIS, SOLD SOTHEBY PARKE BERNET, MONACO, 25-26 MAY 1975, LOT 204H
Literature
M. FENAILLE, ETAT GéNéRAL DES TAPISSERIES DES GOBELINS, PARIS, 1923, VOL. I, P. 355
BARBERINI MSS, VOL. XLVIII, PAGES 72-77 (SEE FENAILLE, OP. CIT.)
BARBERINI INVENTORY OF TAPESTRIES,
1695 (SEE FENAILLE, OP. CIT.)
H. GöBEL, WANDTEPPICHE, LEIPZIG, 1928, VOL. I, P. 98 CATALOGUE OF THE FFOULKE COLLECTION

Lot Essay

MARC DE COMANS AND FRANS VAN DEN PLANKEN, CALLED FRANçOIS DE LA PLANCHE (ACTIVE 1601-1627) BECAME PARTNERS FOUNDING THE COMANS-LA PLANCHE MANUFACTORY IN THE FAUBOURG SAINT-MARCEL IN 1601.

THE SOURCE OF THIS SERIES WAS TORQUATO TASSO'S AMINTA, AN ARCADIAN ROMANCE PUBLISHED IN 1573 WHICH WAS IMMEDIATELY POPULAR. THE STORY OF RINALDO AND ARMIDA FROM HIS GERUSALEMME LIBERTA OF 1574 SIMILARLY FORMED THE SUBJECT FOR A SERIES OF PARIS TAPESTRIES AS DID GUARINI'S PASTOR FIDO OF 1590 WHICH CLOSELY RECALLS TASSO'S ARMINTA, HOWEVER, THE LATTER TWO SUBJECTS PROVED TO BE MORE POPULAR.

FRANCESCO BARBERINI (159701678), A NEPHEW OF POPE URBAN VIII, WAS SENT BY HIS UNCLE TO PARIS AS PAPAL LEGATE IN 1625-26, AT WHICH TIME LOUIS XIII PRESENTED HIM WITH A SET OF TAPESTRIES DEPICTING THE STORY OF CONSTANTINE. HE WAS AGAIN IN PARIS, AS AN EXILE FOLLOWING THE DEATH OF THE POPE, FROM 1646048, BUT IT IS MORE LIKELY THAT THE PRESENT TAPESTRIES WERE ACQUIRED ON HIS FIRST VISIT. IN 1633, THE CARDINAL FOUNDED THE BARBERINI TAPESTRY MANUFACTORY IN ROME.