A SÈVRES BLEU NOUVEAU ÉCUELLE, COVER AND CIRCULAR STAND (écuelle 'rond tournée' et plateau 'rond') painted with entwined cornflower, rose, berried myrtle and oak garlands tied with a bow within kidney-shaped gilt line panels within a seeded gilt band edged with gilt oak leaves, gilt flower garlands suspended from the rims and panels, the entwined branch handles and berried branch finial enriched in gilding (handles repaired and crack and rivet holes to écuelle), blue interlaced L marks enclosing date letter P for 1768, painter's marks three dots for Tandart, incised triangle and three circles to écuelle and Sch to stand

Details

A SÈVRES BLEU NOUVEAU ÉCUELLE, COVER AND CIRCULAR STAND (écuelle 'rond tournée' et plateau 'rond') painted with entwined cornflower, rose, berried myrtle and oak garlands tied with a bow within kidney-shaped gilt line panels within a seeded gilt band edged with gilt oak leaves, gilt flower garlands suspended from the rims and panels, the entwined branch handles and berried branch finial enriched in gilding (handles repaired and crack and rivet holes to écuelle), blue interlaced L marks enclosing date letter P for 1768, painter's marks three dots for Tandart, incised triangle and three circles to écuelle and Sch to stand
the stand 20cm. diam.

Lot Essay

The same type of decoration appears on a pair of vases in the form of ewers painted by Tandart in the Forsyth Wickes Collection see Jeffrey H. Munger et al., The Forsyth Wickes Collection in the Museum of Fine Arts, Boston, p. 189, no. 136

Jean-Baptiste Tandart working period 1754-1800

More from British & Continental Ceramics

View All