JEAN LÉON GÉRÔME (French, 1824-1904)

Details
JEAN LÉON GÉRÔME (French, 1824-1904)

Heads of The Rebel Beys at The Mosque-El Assaneyn

signed J. L. Gerome center left--oil on panel
22 x 17 5/8in. (55.9 x 44.8cm.)
ÿ
Provenance
William H. Stewart; sale, American Art Galleries, New York, Feb. 3-4, 1898, lot 39
F. Schnittjer and Son; sale Parke Bernet, Inc., New York, Feb. 10, 1943, lot 345
Louis Kaplan; sale, Parke Bernet, Inc., New York, March 8-11, 1944, lot 547
Cesareo Sanz, 1944
Mrs. E. Sugarman; sale, Parke Bernet, Inc., New York, Sept. 21, 1945, lot 120
Anon. sale, Sotheby Parke Bernet., New York, Oct. 7, 1977, lot 220
(illustrated)
Literature
F. F. Hering, The Life and Works of Jean Leon Gérôme, New York, 1892, p. 113-115, 118
E. Strahan, Gérôme: A Collection of the Works of J. L. Gérôme in One Hundred Photogravures, New York, 1881, n.p.
"An Artist's Revenge", Forbes, Jan. 9, 1978, p. 28
J. Landrigan, "The Forbes Magazine Collection at the Palais Mendoub, Tangier", Antiques, June 1982, p. 1386, pl. V
G. M. Ackermann, The Life and Works of Jean-Léon Gérôme, London, 1986, pp. 64 (illustrated in color), 71 and no. 161 (illustrated)
J. M. Roos, The Making of Impressionism (pending publication)
Exhibited
Paris, Salon of 1866, no. 801
Paris, Exposition Universelle, 1867
New York, Grey Art Gallery, Charles Gleyre (1806-1874), Feb. 13-March 27, 1980

Lot Essay

Gérôme exhibited this work together with Cleopatra before Ceasar in the Salon of 1866, and it originally belonged to the prominent American collector, William H. Stewart. At first glance, it is a gruesome scene showing an assemblage of severed heads of defeated rebel Beys who have been killed by Salek-Kachef. It was an Egyptian tradition to nail the heads of enemies to the portals of the city. However, East meets west in this macabre setting as it has been suggested that these dangling heads may portray some of Gérôme's most well-known Parisian critics! Gérôme made a preparatory drawing which included three guards standing at the right (see lot 261), and a painting showing the standing guard, this time dressed in a red garment which he dedicated to his student, Jean Richard Goubie (see Sotheby Parke Bernet, London, Nov. 25, 1981, lot 35).