Details
Ashley Bickerton (b. 1953)
Tormented Self-Portrait (Susie at Arles) No. 2
wall construction--colored silkscreen inks on polyester resin, anodized aluminum, rubber padding and metal grommets
90 x 89½ x 20in. (229 x 227.3 x 50.8cm.)
Executed in 1988
Tormented Self-Portrait (Susie at Arles) No. 2
wall construction--colored silkscreen inks on polyester resin, anodized aluminum, rubber padding and metal grommets
90 x 89½ x 20in. (229 x 227.3 x 50.8cm.)
Executed in 1988
Provenance
Daniel Weinberg Gallery, Los Angeles
Literature
S. Caley, "Ashley Bickerton: A Precise Enunciation of the Entire Art Equation," Flash Art, Summer 1988, p. 153 (illustrated)
S. Caley, "Ashley Bickerton: A Revealing Exposé of the Application of Art," Flash Art, Nov.-Dec. 1988, p. 79-81
U.M. Reindl, "Horn of Plenty," Kunstforum International, April-May 1989, p. 408 (illustrated)
C. Leigh, "Into the Blue," Art & Auction, May 1989, p. 263 (illustrated)
I. Mussa, "Postmodernist Prophylaxis," The Journal of Art, June-July 1989, p. 9 (illustrated)
H. Cotter, "Report from New York," Art in America, Sept. 1989, p. 81
S. Caley, "Ashley Bickerton: A Revealing Exposé of the Application of Art," Flash Art, Nov.-Dec. 1988, p. 79-81
U.M. Reindl, "Horn of Plenty," Kunstforum International, April-May 1989, p. 408 (illustrated)
C. Leigh, "Into the Blue," Art & Auction, May 1989, p. 263 (illustrated)
I. Mussa, "Postmodernist Prophylaxis," The Journal of Art, June-July 1989, p. 9 (illustrated)
H. Cotter, "Report from New York," Art in America, Sept. 1989, p. 81
Exhibited
Amsterdam, Stedelijk Museum, Horn of Plenty, Jan.-Feb. 1989, p. 24 (illustrated)
New York, Whitney Museum of American Art, 1989 Biennial Exhibition, April-July 1989, p. 27 (illustrated)
The Art Institute of Chicago, Affinities and Intuitions: The Gerald S. Elliott Collection of Contemporary Art, May-July 1990, p. 228, no. 12 (illustrated)
New York, Whitney Museum of American Art, 1989 Biennial Exhibition, April-July 1989, p. 27 (illustrated)
The Art Institute of Chicago, Affinities and Intuitions: The Gerald S. Elliott Collection of Contemporary Art, May-July 1990, p. 228, no. 12 (illustrated)