PAUL KLEE (1879-1940)

Details
PAUL KLEE (1879-1940)

Spitzes Wort und Fäuste
signed center right 'Klee', dated, numbered and titled on the mount '1925 "U. zwei" spitzes Wort und Fäuste'--pen and black ink on paper laid down by the artist on board
Image size: 15 x 5 7/8in. (38 x 15cm.)
Mount size: 19¾ x 11¾in. (50 x 30cm.)
Drawn in 1925
Provenance
Lily Klee, Bern (1940-1946)
Klee Gesellschaft, Bern (1946-1949)
Buchholz Gallery (Curt Valentin), New York (1949-1950)
Curt Valentin, New York (1952-1954; acquired by Gertrude Bernoudy)
Literature
Oeuvre-Katalog Klee, 1925, no. 202 (U.2)
Exhibited
New York, Buchholz Gallery (Curt Valentin), Paul Klee, May, 1950, no. 43
Louisville, J. B. Speed Art Museum, Paul Klee Drawings: 1908-1940, Oct., 1952, no. 22. The exhibition traveled to Coral Gables, University of Miami, Lowe Gallery, Nov., 1952; Poughkeepsie, Vassar College, Jan., 1953; Ann Arbor, University of Michigan, Museum of Art, Feb.-March, 1953; St. Louis, Washington University, March-April, 1953; Northampton, Smith College, April-May, 1953; Manchester, The Currier Gallery of Art, May-June, 1953; Minneapolis, Institute of Arts, June-Aug., 1953; Exeter, Lamont Art Gallery, Sept.-Oct., 1953; Saratoga Springs, Skidmore College, Nov., 1953; Columbus, Ohio State University, Feb.-March, 1954; and Wellesley, Farnsworth Museum, May-June, 1955.
London, Institute of Contemporary Arts, Fifty Drawings by Paul Klee; The Collection of Curt Valentin, Nov.-Dec., 1953, no. 22
Hannover, Kestner-Gesellschaft, Paul Klee, Max Beckmann, Jan.-Feb., 1954, no. 22

Lot Essay

In his introduction to the catalogue for the 1953 exhibition at the Institute of Contemporary Arts, London, Will Grohmann noted the variety of Klee drawings in Curt Valentin's large collection and how it reflected the diversity of the artist's output.

Klee could certainly not master the exuberance of his
inventiveness in paintings alone; much had to remain in
sketch form. Some of these sketches are consummate in
themselves and need no further development, while others
are preliminaries which Klee would re-work, often only
after years had passed. Still others were done only after
the picture had been completed and represent an additional
mastery as well as an enrichment of the catalogue of his
work. In his drawings, so to speak, Klee provided an
inventory of all his creative effort.

A photo-certificate from Josef Helfenstein and Stefan Frey of the Paul Klee-Stiftung accompanies this drawing.