A FINE AND IMPORTANT FEDERAL INLAID MAHOGANY TALL-CASE CLOCK

Details
A FINE AND IMPORTANT FEDERAL INLAID MAHOGANY TALL-CASE CLOCK
DIAL SIGNED AND CASE LABELED BY SIMON WILLARD, ROXBURY, MASSACHUSETTS, CIRCA 1805

The hood with three ball and steeple brass finials above pierced fretwork over an arched and glazed pattern inlaid door enclosing a white-painted dial with Roman and Arabic chapter rings enclosing a sweep second and calendar day dial, surmounted by gilt filigree and a central panel painted with a bird, the spandrels polychrome painted with representations of the Four Seasons, inscribed "Simon Willard--Roxbury," the hood flanked by brass stop-fluted quarter colonettes above a waisted case with arched molded cupboard flanked by brass stop-fluted quarter-columns with brass capitals over barberpole inlay plinths above box base inlaid with quarter fans and patterned stringing, on a molded base--105 3/4in. high, 25 1/2in. wide, 10 1/2in. deep

Provenance
Christie's, New York, October 21, 1989, lot 394

Lot Essay

The imposing size of this tall clock, with its nearly identical labeled Simon Willard mate in the collection of the Museum of Fine Arts in Boston, suggests that these large-scale clocks were made for use in civic buildings. This clock dates to within a four year period between 1792 to 1796 when Joseph N. Russell of Boston printed labels for Simon Willard's clock manufactory in Roxbury, Massachusetts. Willard produced tall-case clocks in his state-of-the-art shop until 1815, with cases made by some of the foremost cabinetmakers in the area. Known for their elegant appearance and precise timekeeping, Willard clocks rivaled those of English manufacture and are heralded as the finest American clocks of the early republic. See, Philip Zea and Robert C. Cheney, Clockmaking in New England, 1725-1825, (Sturbridge, MA, 1992).