细节
PIETER CLAESZ.* (1597/8-1660)
A Roemer, an overturned Pewter Jug, Olives and a half-peeled Lemon on Pewter Plates, a bread roll, hazelnuts, a walnut and a glass of beer on a draped table
signed with monogram inscribed and dated 'PC A 1635'--oil on panel
18½ x 24in. (47 x 61cm.)
来源
J. Phelan, Esq. 4 Robert Street, Grovesnor Square, London, W1; sale, Christie's, London, Dec. 16, 1911, lot 104 (145 gns. to Agnews) with Galerie Asscher and Koetser, Amsterdam, 1922
A. van Veen, Rotterdam, 1922-1924
with Gebr. Douwes, Amsterdam, 1924
William Joseph Rudolf Dreesman, Amsterdam, 1924-1954
Pia van Spaendonck-Dreesman, Tilburg, 1955-1970 and Antwerp, Ekeren, until 1974
Deder Collection, Switzerland
出版
I. Errera, Répertoire des Peintures datées, 1920, p. 208
N.R.A. Vroom, De Schilders van het Monochrome Banketje, 1945, pp. 34, 42 and 199, no. 35, illustrated p. 32, fig. 19
C. Grimm, I. Bergström, M. Rosci, M. and F. Faré, J.A. Gaya Nuno, Die Grosse Zeit des Europáischen Stillbens, 1979, p. 183
N.R.A. Vroom, A Modest Message as intimated by the Painters of the Monochrome Banketje, 1980, I, pp. 36-38, illustrated p. 37; and II p. 21, no. 70, incorrectly listed as dated 1636
I. Stitz, Wallraf-Richartz-Jarbuch, 1990, pp. 208, 210, pl. 6
展览
Amsterdam, Kunsthandel Goudstikker Het Stilleven, Feb. 18-Mar. 26, 1933, no. 59
Munster, Westfälisches Landsmuseum für Kunst und Kultergeschichte, and Baden-Baden, Stilleben in Europa, Nov. 25, 1979-June 15, 1980, pp. 425-428, illustrated p. 427
