A LOUIS XIV GOBELINS ARMORIAL TAPESTRY

細節
A LOUIS XIV GOBELINS ARMORIAL TAPESTRY

From the Renommés series, woven in wools, silks and metal thread, the beaded and egg-and-dart architectural niche with scrolled broken segmental pediment terminating in foliate rosettes, issuing an arabesque-patterned drapery curtain with two female supporters, one holding the key and seal of France, the former with a cockerel emblematic of France at her feet, the latter with a spaniel emblematic of Fidelity, the imbricated strapwork cartouche centred by an oval shield woven with a scrolled serpent representing the armorial device of Colbert flanked by a cornucopiae overflowing with fruits and surmounted by winged putto holding a jewelled crown, the simulated marble angles within a repeating laurel foliate oak and ribbon-tied border with later blue outer slip, minor restorations, with handwritten label 3939 296 x 215
117in. x 84in. (297cm. x 214cm.)
來源
Almost certainly commissioned by Jean-Baptiste Colbert (d.1683), founder of the Gobelins manufactory, circa 1664

拍品專文

This tapestry and that in the following lot display the armorial device of Jean-Baptiste Colbert (d.1683). They almost certainly form part of the series of six portières of the same subject ordered circa 1664 by Colbert, a pivotal figure in Louis XIV's government, who founded the Gobelins manufactory in 1662. Colbert was responsible for educating the king in financial affairs and supported his decision to build Versailles, placing it in its rightful perspective within France's economic affairs. When the noblemen abroad and in France increasingly aimed at imitating Louis XIV, Colbert founded several manufactories supplying them with luxury goods such as furniture, lacquer and silk, which led to the foundation of the Gobelins manufactory

Foucquet, finance minister to Louis XIV, who built Vaux-le-Vicomte, had established his own workshops at Maincy supplying goods to his new house. For the design of tapestries he recruited Charles LeBrun and for their execution several artisans from Brussels and Enghien. Upon his fall from favour with the king, the staff of the factory was transferred to the newly founded Gobelins manufactory

The present tapestries, from the Renommés series, were originally designed by LeBrun between 1659-60 while at Maincy and several, with the arms of France and Navarre, were woven before the manufactory was transferred. Colbert's series, which was woven circa 1664, was executed with slight alterations to the first designs. He had his own armorial device replace the arms of France and Navarre and the supporting figures stand on their feet rather than springing forth from cornucopia. Furthermore he had the lion in the lower corner replaced by a cockerel

A tapestry, almost certainly from the same series, was anonymously sold at Sotheby's Zürich, 25 November 1992, lot 74. A further model, then in the collection Denière, is illustrated in M. Fenaille, Etat général des tapisseries de la manufacture des Gobelins depuis son origine jusqu'à nos jours 1600-1900, Paris, 1923, vol. I, pp. 1-8, illus. opposite p. 22