The image was obviously designed to crown a ritual standard, to be carried in auspicious processions, or to battles. The known examples of these type of objects (see Bowie, Griswold and Diskul 1972: cat. 36a-c; Krairiksh 1977: cat. 29) usually consists of figures of dancing warriors, demonstrating prowess and imposing energy. In this present case, it is an image of the most benign goddess Lakshmi. Best known as the consort of Vishnu and the Goddess of Fortune and Prosperity, Lakshmi was often referred to in Cambodian epigraphy as 'Rajalakshmi', the personification of royal fortune and victory and mythical consort of the ruling kings. This image probably shows the goddess in that aspect, depicting her in the form of an icon or emblem to be carried along as a royal paraphernalia in ceremonies and processions, or even leading the royal army. Its presence would induce good fortune and victory for the sovereign and for all those who carried out his command.

See illustration