Bartholomeus Breenbergh (1599-1657)

Details
Bartholomeus Breenbergh (1599-1657)

The Ruins of the Imperial Palace on the Palatine, Rome, from the Circus Maximus

with inscription 'Palatium major' (partly copped, verso); black lead, brown wash, grey ink framing lines
82 x 150 mm.
Provenance
V. Röver (cf. L. 2984 a-c), his inscription 'Palazzo Maggiore' on an old label laid down on the verso; Amsterdam, 9 March 1767, lot 698, 706, 724, 760 or 765
with H. Marcus, Amsterdam/Düsseldorf, 1963
Literature
C. van Hasselt, A. Blankert, Artisti olandesi e fiamminghi in Italia, Florence, 1966, p. 126, under no. 13
M. Roethlisberger, Bartholomäus Breenbergh, Handzeichnungen, Berlin, 1969, no. 139
Exhibited
Nijmegen, 1965, no. 14
Leeuwarden, 1966, no. 11
Bonn/Saarbrücken/Bochum, 1968/9, no. 25
Rheydt, 1971, no. 13
Amsterdam, 1975/6, no. 21
Utrecht, 1978, no. 25
Bremen/Braunschweig/Stuttgart, 1979/80, no. 24
Rome, Nederlands Instituut, Zicht op Rome 1620-1720, 1982
Fribourg/Passau/Trier/Aachen/Nuremberg, 1982/4, no. 17

Lot Essay

In the middle and left are the ruins of the so-called 'Domus Augustiana', to the right the colonnades in front of the palace of Septimus Severus. This is part of a series of small drawings of Roman ruins, some of which were later used for the series of etchings 'Verscheyden vervallen gebouwen soo binnen als buyten Romen', published in 1640 after the artist's return to Holland. A larger drawing of the same subject dated 1635, probably based on the present lot, is in the Fondation Custodia, Institut Néerlandais, Paris (Roethlisberger, op.cit., no. 140). The background was used, in reverse, for Breenbergh's picture of the Martyrdom of St. Stephanus, dated 1632.
As Michiel Plomp has kindly confirmed, the partly copped inscription on the verso is by Jan de Bisschop. This relates the present lot to other drawings by Breenbergh bearing his inscription which Plomp will publish in a forthcoming article in 'Antiek'

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