A KASHMIR BRONZE FIGURE OF JINA AMOGHASIDDHA, seated in vajrasana on a shaped pedestal, supported by an atlas, the hands raised and flanked at each side by a lion, his right hand in abhayamudra, the left resting on his left knee and holding the tip of his garment leaving his right shoulder bare, his face with incised eyebrows, silver inlaid urna, eyes, broad nose and elongated earlobes, a curled hairdress and usnisha, a snake-canopy behind, the base with inscription reading: 'This is the pious gift of Narendradharma', the back of throne reading the year 72, corresponding to A.D. 696-697

Details
A KASHMIR BRONZE FIGURE OF JINA AMOGHASIDDHA, seated in vajrasana on a shaped pedestal, supported by an atlas, the hands raised and flanked at each side by a lion, his right hand in abhayamudra, the left resting on his left knee and holding the tip of his garment leaving his right shoulder bare, his face with incised eyebrows, silver inlaid urna, eyes, broad nose and elongated earlobes, a curled hairdress and usnisha, a snake-canopy behind, the base with inscription reading: 'This is the pious gift of Narendradharma', the back of throne reading the year 72, corresponding to A.D. 696-697
16.5 cm high (minor damages)
Literature
Pal, P., Bronzes of Kashmir, Graz, 1975, pl. 23
Paul, P. G., Early Sculpture of Kashmir, Leiden, 1986, pp. 190 - 202 (doctorate thesis)
Schroeder, U. von, Indo-Tibetan Bronzes, Hongkong, 1981, pl. 14D

Lot Essay

Dr. Paul in his doctorate thesis convincingly argumented that the sculpture under discussion is jina Amoghasiddhi and not Buddhamucalinda as expressed by some other scholars. He based his view on the fact that the figure is showing the abhayamudra and not the dhyanamudra which is common for Buddhamucalinda representations. Another argument is the not well-defined snake-canopy which one should expect with a Buddhamucalinda. Although not common one can find a snake-canopy behind the jina Amoghasiddhi as mentioned in various texts. The last argument of dr. Paul is the atlas supporting the throne of Amoghasiddhi, which looks like a Garuda, the vehicle of Amoghasiddhi.
The bronze under discussion is one of the only five known dated sculptures in the art history of Kashmir. One is carved in stone, the others are made of bronze. The dated bronzes can be found in the Norton Simon Foundation (dated A.D. 694), the former Pan Asian Collection (dated A.D. 714) and the Rockefeller Collection (dated A.D. 734).
The figure to be offered at Christie's is dated to A.D. 696/697 and therefore the second oldest known dated Kashmir bronze. Although the sculpture lacks the fine plasticity of other early Kashmir bronzes, it is of eminent importance to our knowledge of early Kashmir casting.

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