A CLAY PORTRAIT FIGURE OF A EUROPEAN MERCHANT, painted in oil colours with gilding, standing on a chequered square wood base wearing a long coat, waistcoat, a tricorne hat under his left arm and a sword in his right hand, the face realistically modelled as an individual portrait (restorations), circa 1770

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A CLAY PORTRAIT FIGURE OF A EUROPEAN MERCHANT, painted in oil colours with gilding, standing on a chequered square wood base wearing a long coat, waistcoat, a tricorne hat under his left arm and a sword in his right hand, the face realistically modelled as an individual portrait (restorations), circa 1770
on parchment label, achat 1870 dans un cabaret a Ostende, 402, on the reverse, statuette, habit de ville de 1729 J. Quicherat F561 L' Histoire du Costume en France
37cm. high

Lot Essay

This is an example of works by the Chinese "face-makers", who delighted the 18th Century European merchants and officers of the East-India Companies during their short residence at Canton. The most famous Chinese modeller known to Westerners as Chitqua came to England in 1769, where he produced busts in clay in a "...very striking likeness with great expectation". Only one work definitely executed by the master during his stay (until 1771) - the figure of Dr. Anthony Askew - is now in the collection of the Royal College of Physicians in London. One of the earliest examples is in the Peabody Museum, Salem, U.S.A.. Another group brought from Canton in 1732 are in the Danish Royal Art Collection (Kongens Kunstkamner), Museum of Trade and Navigation at Kronborg in Denmark and in a private collection. Later figures are known in Rijksmuseum, Nederlands Scheepvaart Museum (both in Amsterdam) and the National Portrait Gallery, London

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