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細節
BADIUS, Jodocus, Ascensius (1462-1535). Navis stultifera. Paris: Geoffroy de Marnef, 6 August 1515.
4° (187 x 129mm). First page printed in red and black. 115 woodcuts, 2 of which are full-page, de Marnef device on a1. 19th-century light brown morocco, panelled in gilt and blind, edges marbled and gilt, by Duru et Chambolle 1862. Provenance: early inscription removed from final leaf; J. Renard (booklabel); C.W. Dyson Perrins (booklabel, sale Sotheby's, 4 November 1946, no.345).
Although citing Brant on the title-page and using the same title, Badius's Navis stultifera is a work different from, if inspired by, Brant's. Also a treatise on contemporary morals, it is divided into 113 chapters comprising a poem and commentary and illustrated with a woodcut. The poems are frequently drawn from the classics such as Virgil, Horace and Juvenal, but also from Baptista de Mantua. Renouard (I:164) suggests that the quotations and moral commentary, plus its frequent reprinting in the early 16th century, point to its use as a school text. The lively cuts in this edition were first used by de Marnef for the first French edition of Brant's Stultifera navis, printed in 1497. Brunet I, 1206; Renouard II, 84:6
4° (187 x 129mm). First page printed in red and black. 115 woodcuts, 2 of which are full-page, de Marnef device on a1. 19th-century light brown morocco, panelled in gilt and blind, edges marbled and gilt, by Duru et Chambolle 1862. Provenance: early inscription removed from final leaf; J. Renard (booklabel); C.W. Dyson Perrins (booklabel, sale Sotheby's, 4 November 1946, no.345).
Although citing Brant on the title-page and using the same title, Badius's Navis stultifera is a work different from, if inspired by, Brant's. Also a treatise on contemporary morals, it is divided into 113 chapters comprising a poem and commentary and illustrated with a woodcut. The poems are frequently drawn from the classics such as Virgil, Horace and Juvenal, but also from Baptista de Mantua. Renouard (I:164) suggests that the quotations and moral commentary, plus its frequent reprinting in the early 16th century, point to its use as a school text. The lively cuts in this edition were first used by de Marnef for the first French edition of Brant's Stultifera navis, printed in 1497. Brunet I, 1206; Renouard II, 84:6