A FLEMISH VERDURE TAPESTRY
This lot has no reserve. Tax exempt. PROPERTY BEONGING TO THE DAVID AND ALFRED SMART MUSEUM OF ART, UNIVERSITY OF CHICAGO, SOLD TO BENEFIT THE ACQUISITIONS FUND (LOTS 376-381) These lots may be exempt from sales tax, as set forth in the Sales Tax notice at the back of this catalogue.
A FLEMISH VERDURE TAPESTRY

17TH CENTURY, POSSIBLY AUDENARDE

Details
A FLEMISH VERDURE TAPESTRY
17th Century, Possibly Audenarde
The central foreground with a kingfisher seated on a tree stump, flanked by trees and before a vista with a town by a lake, within a fruiting border with parrots and floral medallions to the center of each side, the upper angles with cherub's heads, within a later brown guard border, reduced in height to the bottom and in width to the right side, areas of reweaving throughout but particularly to the brown background of the border, the upper section of the main field previously folded over
133in. (338cm.) high, 95in. (241cm.) wide
Special notice
This lot has no reserve. Tax exempt.

Lot Essay

A set of seven closely related tapestries with very similar borders survive at the palace of Holyroodhouse (M. Swain,Tapestries and Textiles at the Palace of Holyroodhouse in the Royal Collection, Edinburgh, 1988, cat. 13, pp. 48 - 49) and may correspond to a set of eight panels of 'Landskip hangings' that were bought in London in 1668. Another set of eleven closely related panels which are called Brussels, of which several are only border fragments, survive in the Spanish Royal Collection (P. Junquera de Vega, C. Diaz Gallegos,Catalogo de Tapices del Patrimonio Nacional, Madrid, 1986, vol. II, cat. 125, pp. 275 - 286).

The greatest part of the tapestry production of Audenarde in the 17th century was devoted to verdure tapestries, while Brussels was much less prolific in this area, possibly because Audenarde had such a dominant position. Unfortunately there are almost no signed verdure tapestries from Audenarde that survive and most attributions have to be made on the basis of a few panels that are signed from the Kunsthistorisches Museum, Vienna (I. De Meüter, M. Vanwelden, Tapisseries d'Audenarde du XVIe au XVIIIe Siècle, Tielt, 1999, pp. 191 - 192).

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