A PAIR OF ORMOLU AND BRONZE FOUR-LIGHT CANDELABRA

Details
A PAIR OF ORMOLU AND BRONZE FOUR-LIGHT CANDELABRA

Each with four shaped branches chased with foliage issuing from grotesques, the nozzles with anthemia with canopic jar finials upon an Egyptian female figure wearing a vulture headdress, wesekh collar and sheath garment and holding a lotus flower and spray of pampas grass, on stepped square pedestals applied with a variation of the winged sun disc and uraei, the sides with ribbon-tied foliate wreaths, 20th Century
45½in. (116cm.) high (2)

Lot Essay

Egyptian figures have been copied since the Renaissance and the present examples were probably inspired by the Egyptian figures in Piranesi's design for the Caffe Inglese, 1760, published 1769 (see: N. Pevsner, Studies in Art, Architecture and Design, London, 1968, vol. 1, p. 216, pl. 14).
There is a design for a console table by Percier, dated 1802, in the Louvre with an almost identical figure holding lotus flowers in both hands (H. Ottomeyer & P. Pröschel et al., Vergoldete Bronzen, Munich, 1986, vol. I, p. 336, fig. 5.3.4) On the same page a very similar candelabrum with two tiers of branches instead of the canopic finials and by Pierre-Philippe Thomire, is illustrated. Percier & Fontaine also employed similar seated figures in a design for a secrétaire in their Recueil de Décorations Intérieures, Paris, 1812, pl. XXXII.
Among related pairs of Egyptian candelabra were a pair sold on behalf of Lord Bruce and removed from Broomhall, Fife, in these Rooms, 31 May 1962, lot 79, a pair sold Sotheby's London, 5 July 1985, lot 205 and Sotheby's New York, 9 November 1985, lot 266

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