拍品专文
The helmet bowl and rivets are similar to works of Nagamishi, see Kei Kaneda Chappelear, Japanese Armor Makers for The Samurai (Miyoshi Printing Co., Ltd., Tokyo, 1987), p.100 and 101.
细节
A HOSHIBACHI KABUTO
Edo period (18th Century)
The sixty-two plate hoshibachi-kabuto a russet iron bowl of fine quality, the hoshi longer and more pointed than usual, iron mabizashi brought on; the five-stage tehen kanamono in shakudo and copper gilt; the copper gilt kuwagata-dai with kuwagata decorated with Bungo umebachi (plum) mon and a maedate of clouds and a kagami (sacred mirror); the shikoro of five-lame ichi-manju style of iron kiritsuke-kozane laced in blue green kebiki-odoshi; the hasso-no-byo backed by a gold lacquer decorative motive repeated on the hishi-nui-no-ita with mon in gold lacquer; the fukigaeshi with copper gilt fukurin and mon (leather missing from mabizashi)
Edo period (18th Century)
The sixty-two plate hoshibachi-kabuto a russet iron bowl of fine quality, the hoshi longer and more pointed than usual, iron mabizashi brought on; the five-stage tehen kanamono in shakudo and copper gilt; the copper gilt kuwagata-dai with kuwagata decorated with Bungo umebachi (plum) mon and a maedate of clouds and a kagami (sacred mirror); the shikoro of five-lame ichi-manju style of iron kiritsuke-kozane laced in blue green kebiki-odoshi; the hasso-no-byo backed by a gold lacquer decorative motive repeated on the hishi-nui-no-ita with mon in gold lacquer; the fukigaeshi with copper gilt fukurin and mon (leather missing from mabizashi)